Masterpiece

The marjority of the work on Masterpiece was to create a hyper-reality in a fairly ordinary location. This involved a good deal of masking to remove/emphasize elements within the frame and to create a heavily contrasted, saturated, and slightly eerie look without breaking the footage, which was shot in a more compressed codec.

4K Sony A7S II, Slog 3

Colored in DaVinci Resolve